Interview with Josh Plattner


Josh Plattner Editor Scarletta

Josh Plattner Editor Scarletta






Today I have the pleasure of introducing to you Josh Plattner Senior Editor at Scarletta.  He has graciously agreed to take time out of his busy schedule and answer a few questions about himself and the publishing world.  Now for full disclosure I have to say that Josh is my editor for the Monster&Me™ series as well as Seaver the Weaver.  So you may see some subtle self promotion.


Now onto the interview.


Q: Why did you decide to become an editor in the children’s book industry? And don’t say because Scarletta hired me.


I’d love to not say “because Scarletta hired me,” but it’s sort of the truth! Ha! Well, I suppose there is more to the story. I’ve always, always been a book lover. My mother owned an indie bookstore when I was younger and I never stood a chance against the bite of the book bug. My love of books held strong throughout high school and college, but it wasn’t until my senior year at Gustavus Adolphus College that I realized working in a bookish industry made a lot of sense for me. After moving to Minneapolis, I was fortunate to find an editorial internship at Scarletta and discovered that working with children’s books was a very natural fit for my skill set and passions.


Q. As an editor, what is the biggest mistake that aspiring picture book writers tend to make?


Overwriting. OVERWRITING. PAUL, OVERWRITING IS A BIG ISSUE! There’s nothing more frustrating, to me, than receiving submissions for children’s picture books that are wrought with exposition. Picture books have the intrinsic advantage of illustration which means that so much of your story can be told through pictures, animation, expression, etc. So many authors don’t quite grasp how to utilize reduction as a very successful editorial technique. Scarletta puts out very graphic, loudly illustrated picture books: there’s no reason to bog your manuscripts down with superfluous words, sentences, or paragraphs.


I couldn’t agree more. Perhaps next time I will conduct the entire interview solely with illustrations!


Q. What trends do you see in publishing?


Have you heard of eBooks? Apparently they’re sort of a big deal. Electronic publishing is what all the kids are talking about these days. But, seriously, as far as Children’s Picture books are concerned, there are two major concerns I think that the industry as a whole is trying to address. The first major shift is the Common Core standards for schools that have been adopted by nearly all 50 states. Publisher’s have to be very conscious that their titles are falling within the range of approved material for CC so that schools, parents, educators, etc. will pay attention to their publications. If you aren’t finding ways to make your books relevant to these measures, you’re falling behind. The second huge issue–which is not necessarily new–is the ever declining reading rates with young boys. Kids just aren’t interested in reading as much these days as they have been in the past. Many blame the prevalence and availability of exciting technology to engage kids and pull them away from books and, unfortunately, literacy. I think finding that right material to get boys hooked on reading from a very early age is the only way to offset this trend, and to do that, you have to find something that’s more or equally exciting than their other options. That’s one challenge that’s particularly tricky.


Q. What upcoming book releases, that are monster related, are you especially excited about? Ok, ok, also non Monster related.


Well of course I am more than excited for Monster Needs His Sleep. It’s equally as delightful as Costume, and I actually got to work on the text of this one. I am also thrilled for If An Armadillo Went To A Restaurant by Ellen Fischer, a spring picture book about animal’s eating habits. The illustrations from Laura Wood are so damn charming. The first book I’ve had a heavy editorial hand in–The Shark Whisperer by Ellen Prager is also seeing publication in spring 2014. It’s a great season to be at Scarletta.


Q. The big question, with all the submissions you have read and seeing what is on the market now, what kind of story are you missing?  What do you wish someone would send to you? What are you sick of seeing?


We’re missing a NYT Bestseller, of course! We have great authors, exceptional stories, dynamic illustrators: we just need a little more recognition for our quality work. We’re not missing a great story–we have those in spades–but I wish we’d find some great outlets for our work.


I am SICK of seeing rhyming picture books with bad meter and rhyme. Ugh. Is there anything worse? No. No there’s not.


Well, the scratch and sniff version of Everyone Poops was pretty bad.  Luckily they re-designed it before it made it to print.


Q. Final question, Paul Czajak great picture book author or greatest picture book author? Take as much time as you need to answer that.


I’ll choose the latter, I guess. :)


Thanks Josh for answering my questions, and I will get on writing that NYT Bestseller, I just wished you could have asked me sooner.  

For those wishing to submit their potential NYT Bestsellars, Scarletta is open to unsolicited submissions from September 1st to January 1st using their online submission process called Submitable.

Follow Scarletta on Twitter @Scarletta_Kids and @ ScarlettaPress


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6 comments on “Interview with Josh Plattner
  1. GREAT interview, Paul. Funny and insightful. Thanks!

  2. Leandra says:

    Those upcoming releases all sound really good. Fun interview, Josh & Paul!

  3. Mirka Breen says:

    “…bad meter and rhyme. Ugh. Is there anything worse? ”

    I still burst into rhyming while writing, but you won’t see such submitted from me. I actually revise these out…
    Enjoyed reading this genuinely literature-loving editor’s replies. I can see how much fun you have together.

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